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Size currently shown: Plop

Prints still available

Edition of 26 - All sizes included | 5 in XS, 15 in S, 5 in M and single print in L

20 x 30 cm (7.8 x 11.8”)
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40 x 60 cm (17.7 x 23.5”)
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60 x 90 cm (23,5 x 35,5”)
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80 x 120 cm (31.5 x 47.2”)
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Original signed and numbered print




Please note, the price of this work of art is progressive.
This means that every time one of the copies is sold, the price of the remaining prints increases.

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Edition of this artwork
Edition of 26 - All sizes included | 5 in XS, 15 in S, 5 in M and single print in L

Type of print
C-Print on mat papper

On the back.

Certificate of Authenticity
Yes, included by the gallery.

Year of Creation
2020 - 2023

Fine Art Artist
Manon Deck-Sablon

The Shape of Things

The Shape of Things

The Shape of Things

"The Shape of Things" by French photographer Manon Deck-Sablon redefines the interaction between humans and their environment. Her architectural background informs her unique vision, staging nude, anonymous figures in unexpected interplays with their surroundings, devoid of conventional gender or sexuality norms.

This series highlights how human forms can alter their environment, encouraging viewers to reconsider our impact on and relationship with our surroundings. Deck-Sablon's work invites us to explore new ways of seeing and inhabiting our world.

Acknowledged globally, her work has been showcased internationally and draws comparisons to Spencer Tunick, though Deck-Sablon favors a more focused approach, highlighting the individuality of each subject.

"The Shape of Things" is a tribute to pure beauty and the conversation between nature and artistry, providing fresh insights into the intimate bond between humans and their living spaces.

Manon Deck-Sablon

Manon Deck-Sablon

Manon Deck-Sablon, a promising French photographer born in 1995 in Saint-Cloud and raised in Southern France, pursued her education in architecture at Montpellier, followed by landscape studies in Versailles, culminating in 2020. Her photography delves into the interaction between human bodies and their surroundings, informed by her background in landscape and architecture. Deck-Sablon captures anonymous, nude figures in a manner that strips away gender, identity, and sexuality, focusing instead on their form and relationship with the space around them. These figures, presented as abstract entities, engage with the environment in both harmonious and jarring ways, crafting scenes that verge on the surreal. Despite being relatively new to the photographic scene, Deck-Sablon has quickly gained recognition. Her unique vision has been showcased in various exhibitions, both group and solo, and featured in esteemed art and architecture publications. Her work draws parallels with Spencer Tunick's, yet stands out for its distinct focus on minimalistic, yet impactful, arrangements of models. Her innovative approach to photography not only questions traditional perceptions of beauty and identity but also invites viewers to explore the profound connection between the human form and its landscape.

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