Pandemonium is a serie inspired by classical painting. The entire collection is titled in Latin to recall the classical universe of past eras but also to provide an explanation and a greater intensity to the work. The title, “Pandemonium” comes from the Greek, it was the capital of the underworld. The artist did not want to talk about the Renaissance, nor the 18th century in particular, but rather take references from Greece or ancient Rome.

The Pandemonium serie aims to underline a paradox: in different past eras, the artistic nude was always accepted, but never seen well. It was something that was tolerated, which was accepted in the eyes of society, which was much more puritanical in terms of its morals than today’s society.

In our current society, sexuality, the place of the body, nudity has been liberated enormously, and yet the artistic nude is still disturbing. It doesn’t really bother others, it bothers me personally. We’re not going to talk about it, we’re not going to pose, dare, hide, as if there was something taboo, dirty, almost demonic. And that’s why the artist really wanted to take up and emphasize that the artistic nude was the point of symmetry between the different eras. In any case, it was tolerated, but often not accepted, regardless of the mores of society.

Pandemonium is the 8th collection of “Who’s That Nude in the Living Room?” art project which aims to constitute the largest photographic series ever made representing humanity as it is, in its most natural state, its nudity and its diversity. this concept of photographic art aims to bring together thousands of models, volunteers of all ages and from all social categories to constitute a huge gallery of portraits of men and women of today. These photographs, in their multitude and the originality of each one of them, their dynamism and their naturalness, show to universal human beauty, far beyond the restrictive socio-cultural and aesthetic criteria of our time.