Justine Darmon was born in Paris in 1973 and discovered her passion for film photography in 1990 when her parents gifted her a Nikon FE and her grandmother passed down her old Rolleiflex. Quickly enchanted by the magic of the darkroom, she dreamed of pursuing photography professionally, but her family humorously encouraged her to follow a different path, saying, “You're not serious when you're 17…”. After completing advanced studies in Social Policy and Society, Justine Darmon embarked on a career in Human Resources, specializing in managing human crises. Behind the masks, she learned to capture authentic emotions, revealing the true nature of individuals. In 2015, she finally decided to pursue her passion fully and dedicated herself entirely to art photography. In less than ten years, her works have been exhibited in various galleries and festivals through remarkable collections such as "Music’Spirits," "Ambivalences," "Le Clown et la Danseuse," "Eclipse," "Cuba, Beyond Colors," "Les Lames de l’Âme," and "Sortir de son ombre." Justine Darmon's work explores a dreamlike universe, rich in symbols and references to collective memory. Inspired by the fairy tales and legends of her childhood, Renaissance and ancient painters, as well as humanist photographers and digital artists, she creates a gateway to her own dreams. Through a subtle interplay of textures, shadows, and lights, Justine Darmon highlights the timeless and mysterious nature of her photographs. She encourages viewers to freely interpret her images, exploring their ambivalence and symbolic richness. Her interest particularly focuses on religious and mystical phenomena as collective reflections of society’s hopes and fears.

Gérard Rancinan is a major figure in contemporary photography whose work transcends the bounds of mere images, engaging in an ongoing dialogue with society. Born in 1953, he began his career as a photojournalist before shifting towards a more artistic approach in the 1990s. His works, exhibited in prestigious museums and galleries worldwide, such as the Palais de Tokyo in Paris, the Milan Triennale, and the Shanghai Himalayas Museum, are recognized for their monumental aesthetics and critical engagement. Rancinan uses photography to question the excesses and contradictions of contemporary society. His style is marked by meticulous staging, which, combined with a narrative dimension, depicts a world where modern myths, social tensions, and cultural transgressions collide. His series, such as La Trilogie des Modernes and Métamorphoses, have received wide acclaim, and he has won numerous prestigious awards, including several World Press Photo awards. As a true "awakened witness to the transformations of our Humanity," Rancinan is also one of the most highly-rated French photographers at auction, with works reaching record prices, especially in sales in London and Paris. In 2014, he was ranked among the most influential visual artists worldwide. His approach does not simply capture the moment; it transcends it to reveal disturbing truths about our era, making his work both profoundly artistic and intellectually subversive.

French photographer Louis Blanc was born in 1956 and has been living in Toulouse for over a decade. Blanc was never formally educated in photography and mastered his technique entirely himself. He would post his work in photography forums and enter contests. From the 1980’s to the 2000’s he experimented with different cameras including a Minolta and a digital compact. After spending some time perfecting his craft, and gaining vast experience, he decided to upgrade with an SLR in 2010. With his new equipment, he was able to hone in on his primary interests and birthed his project CORpuS in 2011.  The idea for this series came to him after winning a competition on a forum. CORpuS was an enlightening experience for Blanc, as he came to realize the image of the body was something that evoked a lot of emotion and deep thought. As we can see, the images from CORpuS, bear a neutral background, because the contorted body is more than enough to summon conviction.  Blanc’s artistic process begins with an unrefined idea, a bit like a brainstorm, but the end result is the culmination of many shots and redirections, making it intentional and unplanned at the same time. In addition, Blanc doesn’t avoid placing the body in disturbing poses. Actually, most of the images in CORpuS, push the boundaries of the human body. The images were made of himself, using a self-timer and remote control.  Louis Blanc has been emerging in the photography world for the past decade, and his work doesn’t come without praise. In 2014, he joined the community of artists supported by Maecene Arts. The CORpuS series became well-known all over France, being published in numerous magazines including La Provence and Réponses Photo. Over the years, this series has been a part of 40+ exhibitions internationally, including France, Russia, New York, Japan, Italy and Prague. He was also published in Monaco’s Monaco Culture and Switzerland’s Geneva Tribune. It goes without saying that the world should keep an eye out for what Louis Blanc will do next.