ARTWORK DETAILS
F0272 - La Jack in the box by Nude in the Living Room
Idan Wizen - White Light District
Interior View
Size currently shown: Plop
Prints still available
Edition of 4, each unique in size
Sold out
Sold out
60 x 90 cm (24 x 36”)
1800 € Sold out
1800 € Sold out
80 x 120 cm (31 x 47”)
2500 € Sold out
2500 € Sold out
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Original signed and numbered print
From
1800 €
Please note, the price of this work of art is progressive.
This means that every time one of the copies is sold, the price of the remaining prints increases.
Edition of this artwork
Edition of 4, each unique in size
Type of print
C-Print on mat papper
Signature
On the front. Bottom right
Certificate of Authenticity
Yes, included by the gallery.
Year of Creation
2013 - 2014
Fine Art Artist
Idan Wizen
Collection
White Light District
3rd place in 2015 at the International PhotoShoot Awards in the Freedom category.
White Light District
The "White Light District" collection by Idan Wizen stands out for its unique and revolutionary approach to nudity, transcending the prejudices and negative associations often linked to undress. Through this series, Wizen invites a reinterpretation of nudity, far from the connotations of vulgarity and depravity that the famous red-light districts of various world metropolises may evoke. Instead, "White Light District" celebrates nudity in a context of purity and divinity, using immaculate white lighting that elevates the subject, rendering them almost celestial.
The collection presents itself as an antithesis to the collective imagination surrounding Red Light Districts, offering a fresh and sanctified perspective on the human being in their most natural form. The photographs, captured in a minimalist style reminiscent of the atmosphere of a sophisticated New York loft, highlight the intrinsic beauty of each model. In "White Light District," the white light is not just a visual tool but becomes a powerful symbol of purification, driving away all vulgarity to leave only admiration and respect for the human form.
In doing so, Idan Wizen does not merely challenge stereotypes; he proposes a true celebration of diversity and individuality. Each model, with their unique personality, distinctive features, and personal expression, contributes to the richness of this collection. Through their presence, they affirm the uniqueness of the human experience while underscoring a universality that unites us all. The series echoes the mission of the "An Anonymous Nude in the Living Room" project to question the standardization of beauty and modes of expression, by valuing the multitude, variety, and authentic character of the human condition.
With "White Light District," Idan Wizen reaffirms his commitment to a vision of art that honors human dignity, defends freedom of expression, and celebrates beauty in all its forms. This collection invites viewers to reassess their preconceptions about nudity, encouraging them to perceive undress not as a taboo but as an expression of the essential purity and truth of being.
Nude in the Living Room
“Who’s that Nude In The Living Room?” is a unique artistic project which aims to constitute the largest photographic series ever made representing humanity as it is, in its most natural state, its nudity and its diversity.
Developed by photographer Idan Wizen, this concept of photographic art aims to bring together thousands of models, volunteers of all ages and from all part of society to constitute a huge bank of portraits of men and women of today who have agreed to to show themselves as they are, nude.
These photographs, in their multitude and the originality of each one of them, their dynamism and their naturalness, show to universal human beauty, far beyond the restrictive socio-cultural and aesthetic criteria of our time.
Anyone who poses in his simplest device participates by his own personality, his differences and his particularities in the universality of the humankind.
Idan Wizen has chosen to exacerbate the true authenticity of each of his models, breaking their possible masks, exposing through each of them, the simple and nude beauty of human nature.
He also defies the usual criteria of nude photography with his shocking photos, with a strong artistic bias, where the spontaneous provocation of one model can rub shoulders with the cheerful and naive expression of another, or the modest revelation of a third.
The uniformity of the beauty criteria of our society as well as its modes of expression, “Who’s that Nude In The Living Room?” opposes the multitude, the variety, the strength of character, the movement, the surprising and the natural to the state gross of mankind.
Each photo is unique as its model, and never touched up. This inevitably challenges us and creates in us a curious feeling of closeness, of belonging. Because these models are all of us.
Moved or upset by the freshness of a smile, the roundness of a curve, a playful look, a cry of release or the fragility of a silhouette, we would like to keep one of these photos with us, the image of a being among the multitude of the human race, a nude in the living room!