Arnaud Baumann, French portrait photographer and videographer, was born in 1953 and left an indelible mark on the world of photography. His career began alongside photographer Xavier Lambours, with whom he had the opportunity to capture unique and intimate moments by photographing the behind the scenes, hysterics and editorial conferences of Hara Kiri and Charlie Hebdo magazines. This experience marked the start of a promising career. Over the years, Baumann has been published in renowned magazines such as Hara Kiri, Libération, Le Nouvel Observateur, Télérama, VSD, Paris Match and Géo, thus demonstrating his talent and versatility as a photographer. During one of the key periods of his career, from 1978 to 1983, Baumann immortalized the evenings at Fabrice Emaer's "Palace". Through his photographs, he captures the very essence of these extravagant evenings, immersing us in the electric and liberated atmosphere of a bygone era. Baumann devotes a large part of his career to portraiture, becoming a master in the art of revealing the essence of well-known personalities and cultural actors. His portraits are imbued with depth and sensitivity, to the point of capturing the soul of his subjects. Throughout his career, Baumann reinvented his style while remaining faithful to what makes him a generational photographer. His process rethinks the links between the structure of his vision and the reality that surrounds it. His photographs are recognizable by their precise framing, precise colors and always mastered compositions.

American artist and photographer Brooke Shaden spent years delving into the duality of human nature in her work. Born in 1987, Shaden has become one of the most well-known photographers in modern art. She’s recognized by her conceptual images where she puts herself in settings that feel like an imaginary world. After finishing college in 2008, and deciding to explore her passion of storytelling, she began to probe her inner darkness and confront the fears of her intense childhood imagination. Mainly a self-portrait artist, Brooke doesn’t shy away from photographing others as well. Many of her photographs evoke a sense of epiphany in an unfamiliar place. It’s easy to feel connected to her images as they embody personal exploration and encapsulate themes of darkness and light. She aims to show others a quintessential part of themselves that might’ve been lurking in the shadows prior. With this, she considers herself leaning more toward discovery than creation. Shaden studied film all throughout college in Pennsylvania near to where she grew up. She was merely 25 years old when she became a part of PhotoVogue Italia’s group exhibition “101 Best Photos” in 2012. Over the years, she has amassed 18 conceptual awards for her work and has been a part of 80+ group and solo exhibitions all over America and Europe, with her very first exhibition in 2009. As previously noted, Brooke’s unyielding passion is storytelling, and she continues to produce portraits in addition to writing and giving motivational speeches. She also allows us to look deeper into her process both mentally and physically, in her blog named “Promoting Passion”. She seeks to lead a multitude of lives with her curiosity serving as a perpetual fire of inspiration.

Dina Goldstein's artistic journey spans over three decades, beginning as a photojournalist and eventually evolving into an independent artist with a focus on elaborate narrative photography. Her work is a testament to her intricate social commentary, blending cultural archetypes and collective imagery with narratives rooted in the human experience. Drawing from surrealism, Dina constructs compositions that lay bare the underbelly of contemporary life, challenging prevailing cultural influences and deep-seated belief systems. In 2007, Dina Goldstein embarked on a specific journey, fueled by personal experiences and a critical view of the "happily ever after" narrative perpetuated by Disney and embraced by Western society. As a feminist and new mother, she took issue with the stereotypical portrayals of women and girls in Disney's stories. Her series "Fallen Princesses" (2007-2009) features humanized fairy tale princesses confronting modern-day challenges like cancer, addiction, obesity, war, and environmental degradation. This poignant work earned her the Prix Virginia in 2014, an international prize for women photographers, and led to exhibitions in Paris, Quebec and in the United States. Dina's subsequent project, "In The Dollhouse" (2012), unfolds within an intricately conceptualized, life-sized dollhouse inhabited by human Barbie and Ken dolls. In this alternative reality, Barbie undergoes a transformation by cutting her iconic blond locks, while Ken embarks on a journey of self-discovery. The series sparks discussions about unattainable beauty ideals, the myth of perfection, and the relationship between beauty, power, and happiness. "In The Dollhouse" has been widely exhibited, including a feature in the Musee D'Orsay's Frida Kahlo and Diego Rivera catalog and inclusion in the FotoMuseo collection in Colombia. Her ambitious project "Gods Of Suburbia" (2014) delves into the world of established and fringe religions. Deities from various traditions are portrayed as mortal, adapting to the challenges of modern life. By offering an iconoclastic interpretation of how ancient belief systems intersect with modernity's pillars—technology, science, and secularism—Dina's surreal creations prompt viewers to contemplate the relevance of ancient ethics and enduring belief systems. The series has been exhibited internationally, with "The Last Supper" finding particular resonance in Italy.